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David Giler
David Giler
Biographical information
Birth name
Born
Died
First credit The Gallant Men (1962 Writer)
Further information
Link(s) IMDb
Wikipedia

David Giler is an American filmmaker. Giler started his career as a writer, providing scripts for television programs such as Kraft Suspense Theatre and The Man from U.N.C.L.E.. He then moved to screenplays in the 70's, helping to write films such as The Parallax View and the original version of Fun With Dick and Jane.

Alien franchise creditsEdit

Other creditsEdit

  • The Gallant Men (1962)
  • Kraft Suspense Theatre (1964)
  • Burke's Law (1965)
  • The Man from U.N.C.L.E. (1967)
  • The Girl from U.N.C.L.E. (1967)
  • The Bold Ones (1969)
  • Myra Breckinridge (1970)
  • The Parallax View (1974)
  • The Black Bird (1975)
  • Fun with Dick and Jane (1977)
  • Southern Comfort (1981)
  • The Money Pit (1986)

Biographical informationEdit

Career lifeEdit

Giler produced his first film in 1970, the critically reviled Myra Breckinridge, an adaptation of Gore Vidal's controversial novel (he also co-wrote the film with director Michael Sarne).

He then helped Walter Hill produce the legendary horror thriller Alien in 1979, and it is for this film that he is probably best remembered. He and Hill became embroiled in a much-publicized behind-the-scenes fight with Alien's original writer, Dan O'Bannon, over who was to receive screenplay credit. Giler and Hill claim that they completely rewrote the script from top to bottom, and therefore they wanted to relegate O'Bannon to a "story by" credit only. O'Bannon claims that they did little more than change the names of the characters and dialogue, and felt that the two were trying to bully him out of the more prestigious screenplay credit. As evidenced by the interviews on the supplemental DVD features, the two parties were extremely antagonistic when it comes to this topic (O'Bannon has since died), though O'Bannon was the only one to receive credit for the screenplay in the final film. The various drafts can be found online, allowing audiences to decide for themselves.

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